月亮上的洞剧情介绍
影片名称:月亮上的洞
影片别名:yueliangshangdedong
上映时间:1964年
国家/地区:以色列
影片类型:剧情片
影片语言:希伯来语
影片导演:Uri,Zohar
影片主演:Arik,Lavie,Shaike,Ophir,Avraham,Heffner
资源类别:全集完整未删减版
资源更新:正片
总播放次数:5515
Uri,Zohar导演执导的《月亮上的洞》,1964年上映至今获得了不错的口碑,由Arik,Lavie,Shaike,Ophir,Avraham,Heffner等主演的一部不错的剧情片。
br>月亮上的洞剧情:
A comic and episodic satire, the film uses improvisation to illustrate the clash between fantasy and reality in real life. Although conceived in the style of Mekas' "Hallelujah the hills" (1962), it's an authentically Israeli satire, an openly rebellious and individualistic expression that poked fun at the sacred myths of earlier zionist films. The technique of film within the film is used to portray cinema as reflection of the imagination, a miracle based on dreams and fantasies that take on concrete characteristics - parallel to the miracle of Israel, the dream that has become reality. Although not a commercial success, its importance is beyond any measure, though it remains a unique experiment, boldly uncommercial and subversive, out of any context in that patriotic, ideological epoch. A new immigrant, Tzelnik, arrives at the port of Jaffa. He goes to live in the Negev desert where he opens a kiosk in the middle of nowhere. Mizrachi comes along and opens a competing business across the way. The two make a living by selling to each other. As there is nothing there, they decide to create a world out of their imagination. They build a cardboard film set, which slowly takes on real dimensions- the buildings turn to concrete, people come to audition for parts in the "film" (cinema verité style, with Zohar mocking viciously the pretensions of the "actresses") and builders come to build appartment buildings (mocking the glorification of concrete and "heroic" settlement). In one sequence, Arab actors come and ask the filmmakers turn positive to negative, and they're given the role of pioneers who plow the land and sing zionist songs. The imagined world of the filmmakers becomes so real eventually they lose sight of the thin line between fantasy and reality. Along the way there are also many references to other films and genres: the samurai flicks of Kurosawa, westerns, the pop films by Richard lester, the meal scene from Tom Jones and many others. The film was made by a bunch of (very talented) friends Zohar gathered, and they shot it with their own funds, as a “collective flick”, another aspect of it that sets it apart from the rest of the production in the country.
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br>(本剧情介绍由随行影院在线编辑提供,如果需要了解更多分集剧情可移步策驰影视等平台了解。)